Petro Luzhin: war and peace. Create “Characteristics of the image of Pyotr Petrovich Luzhin. "Evil and punishment"

The image of Luzhin in the novel “Evil and Punishment” is juxtaposed with the image of the main character. This is an unacceptable character. As for Svidrigailov, he cannot be called super-sensitive. Who is Luzhin? What are the characteristic rices of this author?

"P'yanenki"

Dostoevsky himself initially planned to name his book that way. The idea for the novel began at the time of serving in prison. Here Dostoevsky sensed the useful story of one student, who became the prototype of Raskolnikov. The creative idea gradually transformed. From a short story it turned into a large novel, which depicts the interplay of immoral ideas with the logic of life.

Raskolnikov believed in the utopian idea of dividing people into great and average. In my opinion, they, like before Napoleon, will make history. Ale is not enough. Most is a worthless mass. Rodion Romanovich really wanted to believe that he could reach the first category. It’s true, after a long time of mischief, we began to suspect that his theory may have some shortcomings. And in human life there is a sense of mischief. And this is commonality, rationality. The logic of life is simply inspired by advanced theory. The image of Luzhin in the novel “Evil and Punishment” symbolizes wealth.

Double

Has the author introduced the image of Luzhin into the novel “Evil and Punishment”? Respect that this hero is Raskolnikov’s double. As a student, Luzhin is a successful person, successful, accomplished. Vine screams almost unacceptably from Raskolnikov. At the same time, the main feature of Luzhin’s image in the novel “Evil and Punishment” is the readiness to step over the membranes. This character has the viciousness that Raskolnikov needed to carry out his evil plan. The image of Luzhin in the novel “Evil and Punishment” is the dark side of the soul of the main character.

Externality

Raskolnikov learns about this person from his mother’s sheet. This messenger has already been given a short description. The image of Luzhin in the novel “Evil and Punishment” is gradually supplemented with new figures. Well, what kind of perfection does Dostoevsky give to this character?

For forty-five years, the rank of the over-the-radar is held. Varto said, the call to dosit more honestly: it grants a declaration about the special nobility. Petro Petrovich Luzhin is dignified, mannered and has a “vigilant, careful physiognomy.” The image of the hero Luzhin in the novel “Evil and Punishment” is very comical. The names of the protagonist's sister. For the first time with a student, the clothes are fashionable and expensive. It looks like this, it looks like it’s very beautiful. Petro Petrovich wears a purple round cap and with this element his toilet is carefully propped up. On his hands is a pair of cotton mittens, as well as other elements of the outfit, new, recently worn. What this gentleman has is something artificial, fake.

Luzhin has accumulated a disgraceful camp. This people came up from the bottom, reached all the roots of zeal and ambition. Vіn dіlova, busy people. It comes to St. Petersburg from the right, to treasure the skin of the skin.

The person is impertinent

The most beautiful negative character in Dostoevsky’s work is Svidrigailov. This pan, the involvement of the bottom of the impenetrable stories, the biased choking of Dunya Raskolnikov. Svidrigailov reexamines her, ready to do anything to capture the subject of his obsession. Luzhin has other people's similar emotions. Vіn plans to make friends with Dunya, but not because she has problems. Raskolnikov’s sister is a blessed and beautiful girl. And smut, poor thing. Such a squad will in the future be given to its own people, who will spare them the evil ones. So I respect Petro Petrovich. Please have mercy. Life cannot be lived out according to a clear plan. Rational theories can be constructed in any way that confirms the ending to Dostoevsky’s novel.

“Evil and Punishment” is a classic of world literature. This deeply problematic novel is characterized by the rationalization of its images and the psychologism of its characters. Petro Petrovich Luzhin is a great character whose creative role is great. The duet with this special action creates a system of twins with the main character, .

History of creation

In 1865, Fedir Mikhailovich Dostoevsky, while visiting Visbaden, wrote to Mikhail Katkov in the magazine “Russian Newsletter”. The writer reported that the idea of a new creation was born, which he characterized as “the psychological sound of one evil thing.”

In the novel, the writer told about a young man who stumbled on the brink of poverty. Having worked at killing the old pawnbroker, he went to hell, and went to the trouble of mischief, a timid attempt at the life of a grumpy, unacceptable woman, whose life is not marked by anyone and does not require light. Killing and robbery, as well as the pangs of conscience experienced by the hero who is guilty of this crime, are described by Dostoevsky in the novel “Wickedness and Punishment.”

Illustration before the novel "Mischief and Punishment"

Petro Petrovich Luzhin plays a continuing role in the novel. The author describes the character in black and white, giving him the following characteristics: a shoving over-the-door raven, a self-sucking and selfish, frigid, greedy cooker. Luzhin offers material benefits, respecting the king of the one who has his finances in order. This hero is easy to buy, but you can’t get this hero from the story. The meaning of the name characterizes the special character of the hero. Luzhin kraid and zhalugid, on the basis of the brooding reservoir, which sounds like his nickname.

"Evil and punishment"

The reader's acquaintance with Luzhin is obtained in absentia. Pulcheria Raskolnikov describes a person from the list to the son of Rodion. It is clear that Luzhin is wooing Raskolnikov’s sister Dunya, a girl from a poor family, who has no dowry. A beautiful, intelligent and noble girl was a blessing to everyone, but inadvertently called out the tiles. Unrespectful of them, Luzhin got into trouble and became friends with Raskolnikov’s sister.

Dostoevsky wrote that the character’s appearance is presentable, without being shabby. At the age of 45, at the age of 45, Luzhin looked youthful, stood up, and walked behind him. At first glance, the man was acting as hostile to a trustworthy person with goals and ambitions. In truth, everything described was true. Raskolnikov got a chance to look at the mask, catching Luzhin. Marnoslavism, meanness and greed of man are revealed before Rodion.

Having arrived in St. Petersburg, Luzhin visited his future relative. Respecting himself as a benefactor, preparing himself for praise and praise, demonstrating self-satisfaction and narcissism. Having risen “from brood to riches,” he outdid his obvious talents and wealth, ennobling himself more, without devaluing them. Greediness haunted him to gain profit for everyone and constantly overindulge in money, both his own and those of others. With her help, Luzhin rose above the deserted ones.

Bula in nomu and another vada. The hero developed a theory in order to become friends with the Varto, having accumulated capital. Vіn check, while the poor woman is busy, she is kind and kind. Luzhin was intrigued by the daily availability of the bride's material warehouse, since he believed the unfortunate share of such a girl. The man thought that the biography of the dowry was melodiously filled with secrets, so the potential man is not concerned with treasures and reverence.

Quote

Unconcerned with the ostentatiousness of outsiders, Luzhin tried to marvel at the skin of the new person with whom she lived. Protective man:

“Everyone needs to take a closer look for themselves, and closer, in order to judge it.”

He did not compromise his views on the lover and easily voiced them:

“A man is in no way to blame for the abuses of his squad, in short, because the squad respects the man as their benefactor.”

Like a person who goes to evil, Luzhin understands that everything is permitted within the boundaries, violating people go to please their conscience:

“Everyone has rice, it’s not safe to cross; because once you’ve stepped over, it’s impossible to turn back.” The hero has created all the details thoughtfully and carefully.

“What will happen, what...?” - A consistent formula that permeates the entire work of F. M. Dostoevsky. The tweet “Wrong and punishment” is not a blame. It is based on the so-called theory of “blood according to conscience,” otherwise known as “meta truthful cats.” Another one, not so large-scale, but still a theory that belonged to Luzhin, appears latently - exalting himself for the weakness of others. The ideas are not new, but only Fyodor Mikhailovich’s “moral dilemmas” are not between the abstract and exist in practice. So, what will happen if you put one “critic evildoer”, Marnoslavism and pride, on one cup of Theres, and on the other – a thousand good deeds? What to worry about? Perhaps the imbalance will end and the offending cups will become equal? The article on the topic “Luzhin (“Evildoing and Punishment”): characteristics of the character” is in size.

Idea

In the spring of 1865, every edition of the “Russian Newsletter” removes a leaf from Visbaden. The fact, perhaps, is not particularly noticeable, as if not only one would tell two people... First, write to Fyodor Mikhailovich Dostoevsky, and another - write to him about the idea of his new novel. The idea of creativity, according to the words of the author himself, has “the psychological meaning of one evil thing.” In other words, there was a living young man, at the very least humble, a bourgeois wanderer, who, through nearby furnishings, appears in extreme poverty. What is it timid? Whether from lightness or from internal cunning, he succumbs to the “unfinished” ideas floating in the air at that hour and dares to kill one old pawnbroker. She’s old, evil, old, bad, and obscenely greedy. What is her future life? Can you bring some bark to someone? The unequivocal statement “no” knocks the pantelik out of every student. He kills them and then robs them, so that with the “recovery” of the money he can make himself and all those who suffer happy, and thereby create a “humane burden for humanity.” Well, here you can completely guess the title of the upcoming book - “Evil and Punishment”, and the name of the main character - Rodion Raskolnikov. And now a report about the novel itself, and also about the character, whose nickname, needless to say, is Luzhin Petr Petrovich.

Persha riddle

Well, Petro Petrovich Luzhin... Who is he? What role did they play in the immortal novel of F. M. Dostoevsky? This article will be discussed in parallel with this article on the topic: “The novel by F. M. Dostoevsky “Evil and Punishment: the image of Luzhin.”

Pan Luzhin is one of the most unpleasant, but also famous, heroes of the novel. One more nickname is worth it! First of all, the reader should get acquainted with him in absentia from the sheet of Pulcheria Oleksandrivna Raskolnikova until now. He characterizes him positively: he even wooed Dunya, Raskolnikov’s young sister - a beautiful, strong, self-satisfied, intelligent, noble girl, even without any position. No matter how you say it, the people achieved a “feat”. And then there’s the recent unacceptable incident: there was a bad word about Duna, but, thank God, everything turned out fine. So, giving this much more to the poor girl is now a noble feat, a most noble endeavor and deserves all kinds of praise. How did you get on with it? We continue the topic: “Luzhin, “Evil and Punishment”: characterization”

Portrait

It looks like a “beautiful and respectable physiognomy.” The position is “excessively strict”, the dress is black, important to the kvits of “the bright and the young”, unimportant to those who have turned 45 years old. At the same time, he looked young: his appearance was fresher, his hair was raven, his hair was always carefully combed and curled by a perukar. In general, overcoming the hostility of people of little enlightenment, but reasonable, trustworthy, secure, somehow serving in two places and trying to establish their right - a public law office in St. Petersburg. Ale tse lishe zovni. And the skin medal is also the collar. Bula over there at Luzhin’s is stingy, sneaky, mean, dribby, cunning. This is exactly what the perceptive Raskolnikov did, not caring about his mother’s simple-minded words.

Luzhin, “Evil and Punishment”: character description

After arriving in St. Petersburg, Luzhin, as a betrothed, betrayed Raskolnikov. Having crossed the threshold between the feelings of a benefactor and the unwelcome tributes, listen to the most sweet compliments addressed to you. Boundless marnoslavism, the extreme stage of self-indulgence or, more accurately, self-denial, played with him a vile fervor. Having made his way “among the people”, having risen from worthlessness, he became merciful with his own appearance, his intelligence, his personalities, and it came to such a point that, at times, he looked at his own appearance in the mirror. And he really loves pennies. One’s own, others’, one’s own, one’s own, one’s own, or one’s own in other ways – it doesn’t matter, it’s a sham – its very obviousness. Even the stench helped him to rise above his fellows and looked up to him who was his superior. Well, the ground for matchmaking on the Dunya is not the most “relative”. Ale bulo sche descho...

“Evil and punishment”: Luzhin’s theory

This is Luzhin's theory. It’s been a long time since we decided to make friends, having saved and checked all our pennies. Looking for not love, not a dear soul, but a good-hearted girl, garna, sanctified and... poor. The word “poor” in deep secret gained a special emphasis, since such a girl had already known in her life the misfortune and misfortune that had come, she had been sullied, and now she was endlessly devoted to her warrior. Vaughn immediately “bowed down” before him, we are in reverence, we will bow down to everything and be amazed only by you. And the moment has come when everything has come together. And so, grandiose plans are being outlined to conquer the great world of St. Petersburg, and here Dunya is an ideal contender for the role of a proud, reasonable, or poor betrothed, and then - a humble and truly forest friend a hurrying man. In their dreams, they have already fallen over their soul and body and rapture! No!.. He pulled away the stand. And from whom? The sight of a poor student, a crazy youngster - Rodion, who threw him out of bounds. He couldn't bear anything. The hostility, in all its intensity and boundless anger, was collected and squeezed into a bag. And having thrown the wine nowhere, but directly at the bad guy: she was wickedly guilty of stealing the pennies that he had thrown to his gut.

F. M. Dostoevsky about Luzhin

That's how Luzhin's readers get busy. “Zlochin and Punishment” (the character’s characteristics are presented to our review very briefly) - a folding story. Our heroes, the topic and problematic is not as simple as it might seem at first glance. To get to the essence, it’s not enough to just read a book. It will be nice to get acquainted with the work of the critics, and to absorb the notes of the author himself. The black materials before the novel by F. M. Dostoevsky say very little about Luzhin. This is how the author describes the future character: he is incredibly squirming, coy at himself to the point of coquetry, he is tongue-tied, he is extremely tongue-in-cheek, and he may have an inordinate passion for tiles. Besides this, it is also greedy, and in this there is a resemblance to Pushkin’s hero - The Stingy Baron. Betting on pennies is similar to idolatry, since everything is perishable except for money. If a person can afford pennies, there he is at the very top, there he is! Until now, no one has ever revealed carelessness, bad behavior or bad behavior. This means that pennies need to be respected and praised... Well, in this way, having studied the letter from the beginning, this is how I stand before the readers.

Luzhin cannot be considered one of the main characters; he is an ordinary character, but has a special role. Luzhin advocates some kind of “economical” theory - the theory of the “whole captana”: “love yourself... because everything in the world is based on a special interest.” It confirms the idea about kindness of people for the sake of others, a headache for living, pennies, a joyful waste, profit, career. Before the speech, Petro’s name and Petrovich’s name, which translates as “stone,” confirms the empty soul of the hero. The sweet nickname - Luzhin - delimits him in the human world and is associated with the chestnut, which protects those who are absent.

The novel “Evil and Punishment” was originally conceived by Dostoevsky while still in prison. It was also called "Pyanenki", but the idea of the novel was transformed into a "psychological sound of one evil thing." In his novel, Dostoevsky portrays a complex theory with the logic of life. In the writer’s opinion, the living process of life, then the logic of life, is always simple, to work on an impossible theory - both advanced, revolutionary, and evil. Well, it’s impossible to live timidly with theory. And the main philosophical idea of the novel is revealed not in a system of logical proofs and statements, but as a series of people obsessed with an extremely evil theory, with everyday processes that simply make this theory simple.

Petro Petrovich Luzhin, Zlochin that punishment: character description

“What will happen, yakscho. “- A consistent formula that permeates the entire work of F. M. Dostoevsky. The tweet “Wrong and punishment” is not a blame. It is based on the so-called theory of “blood according to conscience,” otherwise known as “meta truthful cats.” Another one, not so large-scale, but still a theory that belonged to Luzhin, appears latently - exalting himself for the weakness of others. The ideas are not new, but only Fyodor Mikhailovich’s “moral dilemmas” are not between the abstract and exist in practice. So, what will happen if you put one “critic evildoer”, Marnoslavism and pride, on one cup of Theres, and on the other – a thousand good deeds? What to worry about? Perhaps the imbalance will end and the offending cups will become equal? The article on the topic “Luzhin (“Evildoing and Punishment”): characteristics of the character” is in size.

The image of Luzhin in the novel Zlochin and punishment

All about kalyuzha evil and punishment

". You will decide to permanently change your career and enter into a wider range of activities, and at the same time, little by little, move into a place of marriage, which you have long since thought about... In a word, you have decided to try vati of Petersburg. You know that you can win even more with women. The charm of a charming, virtuous and sanctified woman could completely brighten his path, get to her, create a halo... and everything collapsed. "

Luzhin is a Russian version of the French bourgeois, as Dostoevsky described in his “Winter Notes about Summer Enemies.” Luzhin is less refined, less cultured, and stands not at the end of the process, but at the beginning of the process. Luzhin shines like a new sin, he can give names to beautiful ones, and at the same time, his beautiful and respectable physiognomy coped with the inconvenience, like the irritation of hostility. He is subdued, not morally responsible, sows tiles and vigas tiles. Luzhin does not understand either selfish honesty or gentry. Victory and ignorance of Dunya, he respects that we can fix everything. The most important thing is not to give Dunya and her mother a penny. “I was thinking of catching them with a black body and bringing them to the point that the stink would wonder at me as if it were providence, and the stink would go away. Thu. “No, if I had seen them for the whole hour, for example, thousands of repetitions in dowry, and in gifts... so there would be purity and... mercifulness on the right!”

Why are Luzhin and Svidrigailova called “doubles” of Raskolnikov? (Behind the novel F

Dostoevsky’s novel “Evil and Punishment” is a breakthrough in literature - it is one of the first works in which the continuity of ideology is represented. Almost the entire novel is a direct debunking of Raskolnikov’s theory. The author creates twin heroes in order to methodically and precisely develop the theory about “the creatures of the three-year-olds and the right to loom.”

Image of Luzhin

Luzhin - Business people with their “economic theories”. This theory is based on the true exploitation of people, and it is motivated by the benefits of economic growth, and it contrasts with Raskolnikov’s theory of selfless intentions. And although the theory and the other lead to the idea that one can “shed blood according to one’s conscience,” Raskolnikov’s motives are noble, suffered by the heart, it is not just a breakdown that collapses, but a pardon, “clouded by the mind.”

Characteristics of Luzhin in the novel “Evil and Punishment”

Whole people of forty-five years of age. Wine of “wiggles”, cleansing, stiffening of the neck. She looks a little younger for her life. Dostoevsky emphasizes Luzhin’s appearance with particular respect. He talks about the clothes, the comb, the sideburns, about how the perukar spends a long time hovering over his client. Nothing is said in the novel about the character’s eyes. This means that there is nothing to say about them. Even the eyes are the mirror of the soul, and Luzhin’s replacement for the soul is empty.

All about kalyuzha evil and punishment

“Here is a gentleman of middle-aged rocks, mannered, dignified, with a careful and rambunctious physiognomy, who began to hunch in the doorway, looking around with covered-up, unattended expressions and looking at the sky: “Where am I going?” ..."... cloth yogo there was a lot of beauty, and everything was good, except for the fact that everything was new and different from the usual. The purple, brand new, round droplet is attentive to this thing: Petro Petrovich seemed to be carelessly handling it and carefully handling it in his hands.

Zlochin and punishment of Kalyuzh characteristics

The author’s most hated figure in Fyodor Mikhailovich Dostoevsky’s novel “Mischief and Punishment” was the image of Pyotr Petrovich Luzhin – a typical Russian bourgeois of the advanced form, a hoarder and a dealer. It’s more attractive, but in “to give a garish appearance” it is also unacceptable and annoying, for example, sideburns “in the shape of two cutlets.” He is not young, but with his manners, gestures, and promos, he tries to strengthen the closeness to the younger generation - invariably, he gives priority to “youthful tones.”

Luzhin in the episodes “A Visit to Raskolnikov” and “Wake” (after the novel F

Luzhin exclaims that he will come out “dry out of water.” Everyone who gathered at the wake respected him as a man from the “high stake” and marveled at him from below on the mountain. Why should you allow yourself to say a word against them if you want, to doubt your call? Luzhin does not complain about other people who have unclean names and spiritual pain. So, to be honest, a lot of them seemed to have no respect for the people - they were a mob that would never pity the vigilant sleeper.

Rivet Luzhin

The novel “Evil and Punishment” was written in 1866. Dostoevsky himself is still alive in a part of St. Petersburg where many officials, merchants, and students settled. Here, near the fog and saw “the middle streets and alleys of St. Petersburg”, Dostoevsky’s image of Rodion Raskolnikov was born.

Image of Luzhin

Dostoevsky draws from the novel “Mischief and Punishment” the image of Luzhin, a deeply antipathetic, condemned type, a type of infiltrator from liberals and sectarians. Dostoevsky does not harm the farb for a satirical depiction of this hateful social category. Luzhin is a progressist, from career demise to complete despotism in life, a great deed who has acclaimed to the “walkers on the right” a significant camp, entirely built on detail and hardening, such a whole liberal bourgeois of the 1860s. in what inspires you in your depths ogidu. The militant theories of the sixties about utilitarianism are themselves put in place for their residual discredit. At that time, as Lebezyatnikov, despite all the advances made by the new author, still retains the same risks of ideological bias and finally appears in the winning role of Sonya’s protector, the “progressive” hut Luzhin will remain with his own until the end negative Essence.

Petro Petrovich Luzhin and his role in the novel “Mischief and Punishment”

Luzhin's mind is all about power, about collecting capital, about career. Viskochka, nouveau riche, and in his own way broke the old patriarchal integrity, and insured himself to the “new people” and thought to justify his rude practice with current theories, Luzhin calling himself a people, which divides the “generation” ours."

Luzhin Petro Petrovich is a business man of 45 years, “with a careful and burbling physiognomy.” Prim, frowning and thoughtful. Having escaped from irrelevance, he highly values his intelligence and talents, and has mercy on himself. Most of all in life, Luzhin values pennies and is worth nothing with them. But he wants to be recognized as a progressive person. Tom Luzhin, following the words of his friend Lebezyatnikov, speaks about the role of “science and economic truth” in people’s lives. Luzhin, admired by the beauty and sanctification of Dunya Raskolnikov, discouraged by her proposition. It’s too flattering to flatter your self-love that such a girl will be your darling all your life. In addition, Luzhin appreciates that that smart squad is beautiful and accepts the growth of his career. Luzhin hates Raskolnikov because he opposes his friendship with Dunya. He tries to get Raskolnikov to cook with his mother and sister. With this hero, the novel has an unpleasant episode: at Marmeladov’s funeral, he inexplicably puts a hundred carbovants into Sonya’s gut, and then calls them a theft. For Raskolnikov's help, Luzhin is viciously screamed at.

Image of Luzhin

The novel “Evil and Punishment” was originally conceived by Dostoevsky while still in prison. It was also called "Pyanenki", but the idea of the novel was transformed into a "psychological sound of one evil thing." In his novel, Dostoevsky portrays a complex theory with the logic of life. In the writer’s opinion, the living process of life, so that the logic of life, is always simple, creates an impossible theory - both advanced, revolutionary, and evil. Well, it’s impossible to live timidly with theory. And the main philosophical idea of the novel is revealed not in a system of logical proofs and statements, but as a series of people obsessed with an extremely evil theory, with everyday processes that simply make this theory simple.

"Double" by Rodion Raskolnikov and Luzhin. Vin is a hero who thrives and is not constrained by anything. Luzhin exclaims Raskolnikov’s fear and hatred, wanting to recognize more of that everyday principle of calmly stepping over the membranes, and thus torment the confused Raskolnikov even more.

Luzhin is a business person with his own “economic theories.” This theory is based on the true exploitation of people, and it is motivated by the benefits of economic growth, and it contrasts with Raskolnikov’s theory of selfless intentions. And although the theory of one and the other leads to the idea that one can “shed blood according to one’s conscience,” Raskolnikov’s motives are noble, suffered by the heart, he collapses not just with a breakdown, but with a pardon, “clouded by the mind.”

Luzhin is a straightforward and primitive person. Vin – decreases, perhaps a comical double, equalized with Svidrigailov. In the last century, the minds of rich people were dominated by the theory of “Napoleonism” - the ability of strong specialness to rule over the shares of other people. The hero of the novel, Rodion Raskolnikov, became the champion of this idea. The author of the work, trying to depict the immoral idea of the main character, shows its utopian result in the images of “doubles” - Svidrigailova and Luzhina. Raskolnikov explains the establishment of social justice through the violent path as “the blood of the dark.” The writer further developed this theory. Svidrigailov and Luzhin drew the idea of \u200b\u200bvidmova from “principles” and “ideals” to the end. One, having set the guidelines between good and evil, the other preaches a particular benefit - but this is the logical conclusion of Raskolnikov’s thoughts. It is not without reason that Luzhin’s self-loving mortification Rodion replies: “Bring to the legacy of what you recently preached, and you will see that people can be cut.”

In his work “Evil and Punishment,” Dostoevsky convinces us that the struggle between good and evil in the soul of a person will not ever end in the defeat of honesty. Through suffering, people go to transformation and purification, based on the images of Luzhin and especially Svidrigailov.