How the theme of creativity is revealed in the novel Meister ta Margarita. Tvir “Image of the Maistra. “The Meister and Margarita” and other works

In the novel, the image of Maistra is one of the main characters. What is the author's decision to include in the title of the work? The characterization of the master in the novel “The Master and Margarita” is representative of a pure and generous soul that loves, understands and creates a daily marriage.

Acceptance of the presence of a powerful name in a character's name

A person stands in front of the reader “with a gossamer nose, hairy eyes... approximately thirty-eight years.” Such a portrait of a master. "The Meister and Margarita" is a very emotional novel. One of the contradictions is the naming of the hero.

Before creating the image of Mikhailo Bulgakov, it is necessary to expand the technique - the namelessness of the hero. However, just as in many works the presence of a powerful name in a named character is explained by a more generalized image, in the novel “The Master and Margarita” this technique has a more expanded meaning and a specific idea. The namelessness of the hero is reinforced in the text of the girl. For the first time, she accepted that they called her kohan – master. Another time, at the clinic for the mentally ill, Rozmov and the singer Homeless, he himself adds the words to the name. Vin knows that having spent his money and becoming patient No. 118 from the first building.

Maistra's individuality

Insanely, in the image of Master Bulgakov, showing the buried image of a reference writer. At the same time, the hiring of the hero Maistrom reinforces her individuality, specialness, to replace others. It is shown to the writers of MOSSOLIT how to think about pennies, cottages and restaurants. Moreover, the theme of this novel is non-standard. Master of Reasons, that his work is aimed at polemics and criticism, but nevertheless created a novel about Pilate. Moreover, the creator is not just a writer, he is a Meister.

However, in manuscripts and special documents, contrary to the rules of writing the name of a character from a great literature, Bulgakov always indicated him from a small one, thereby emphasizing the hero’s inability to resist the system and the values ​​of his daily marriage, as we know in Radian letters no one

Lucky ticket

The life of the Maister in the novel “The Maister and Margarita” has many stages. If the reader wants to get to know this character, he seems to be a very happy person. A historian behind the scenes, he works at the museum. Having won 100 thousand rubles, he leaves work, rents a quiet cellar with a garden behind the window and starts writing a novel.

Head gift of share

This year we have to give him another surprise - the right food. The acquaintance of Maistra and Margarita seems like a given, like an inevitable fate, the handwriting of both of them. “The khannya jumped up in front of us, like something jumping up from under the ground, driving into a ravine, and it struck us both at once!

This is how the Bliskka attacks, how the Finnish knife attacks! - Having told Meister at the clinic.

A period of growing hopelessness

However, luck is involved in writing a novel. Yogo doesn’t want to fight each other. Todi Kohana urges him not to give up. The master continues to look for the possibility of seeing the book. And when one of the literary magazines published a comment on his novel, he suffered a mountain of cruel criticism. If on the right his life has failed, Meister, unimportant of Margarita’s love and love, does not know the strength to fight. He faces an insurmountable system and is tested at the clinic for the mentally ill, Professor Stravinsky. There the next stage of your life begins - a period of humility and hardship.

Yogo will read the dialogue with the Homeless, if the Master secretly penetrated until this night. He calls himself ill, he doesn’t want to write anymore, and he regrets that he has written a novel about Pilate. You don’t want to renew him, and also don’t hesitate to go out and find Margarita, so as not to ruin her life, they are convinced that she has already forgotten him.

The story of Bezdomny’s song about the zustrich with Woland will be greatly appreciated by the Maistra. It’s too bad for Ale to not get along with him. The master respects that he has spent everything, he has nowhere to go and there is nothing, wanting a bunch of keys that he respects with his treasured wealth. Characteristics of the Maistrian period - a description of the evil and shabby people who reproached them for their martyrs.

Peaceful merit

On the admin side Maistra, Margarita diyalnisha. Vona is ready to do anything to get rid of her brother. As a result, Woland returns from the clinic and renews the manuscript of the novel about Pontius Pilate. However, the Meister still does not believe in possible happiness: “I was spoiled, I am bored, and I want to go to the basement.” You suspect that Margarita will go crazy and lose her marriage and the unfortunate one.

Ale, in vain, Woland gives a novel to read to Yeshua, who, although he can’t take the Master to himself, should ask Woland to give him a job. Although for the most part Meister remains passive, inactive and evil, he emerges from the success of Muscovites of the 30s by self-sacrifice of love, honesty, trustworthiness, kindness and selflessness Istyu. For these very moral values ​​and unique artistic talent, they were able to bestow upon him another gift of his share - eternal peace and the marriage of his wife. Thus, the story of the Master in the novel “The Master and Margarita” will end happily.

Creation test

Enter

The novel “The Meister and Margarita” destroys a lot of problems, the relevance of which does not fade with time. Creativity in the novel “The Meister and Margarita” is one of these themes. This is a useful way for readers to criticize. Mikhailo Bulgakov depicts the concept of creativity in the application of three aspects: criticism of the editor Berlioz, the free poet Ivan Bezdomny and the leading creator - the master. These people are completely different, and their ways of living vary no less than the stink.

Creativity in the Roman Berlioz

The theme of creativity in the novel “The Meister and Margarita” is destroyed from the very beginning.

With the appearance of Berlioz, the first section of the novel begins. Looking at those in this section, “the head of one of the Moscow literary associations and the editor of a popular art magazine”, who are unwilling to go blindly to the bottom, you might think that your character is insignificant. In fact, this is absolutely not true. The image of Berlioz represents all the bureaucracy and diminished role of creativity that Bulgakov himself and his master had to experience.

First of all, read Berlioz at the meeting with Bezdomny, at the Patriarchal Headquarters. Mikhailo Bulgakov portrays the editor as a human being, steeped in his own knowledge. Vin talks about Jesus, capturing his soul, suggesting the effect it has on the young poet. As for creativity, then for Berlioz it is a robot that lies in narcissism and thorough tyranny. Describing Massolit's head, Bulgakov goes into the most subtle irony. What is wrong with the phrase “Mikhailo Oleksandrovich, having climbed into the nets that he can climb into, without risking evil to you, unless the people are already sanctified.” Berlioz makes use of his knowledge and erudition, not with valuable belongings, replacing knowledge with lessons and quotes from books he read, the essence of which for him was lost “behind the scenes.”

In addition to the image of the “writing brotherhood” Mikhail Bulgakov, we also introduce the image of the young poet Ambrose. Describing him as “ruddy-lipped” and “plumpy-cheeked,” the writer sneers at the fleshy, low cob of the pseudo-poet.

Creativity for Ivan Bezdomny

Ivan Ponirev, who writes under the sonorous pseudonym Bezdomny, portrays the image of modern youth of the Bulgakov period. At the same time, it is necessary to create, but blindly try to understand the criteria and the benefits of Berlioz and “comrades’ magazines” are transforming this superb artist, and the bottom line that runs around the wheel of criticism.

The problem of creativity in a novel about the butt of Homeless is not a problem for anyone who sings. As a result, it is clear that the top ones are “greedy” and have mercy on the choice of path. Mikhailo Bulgakov does not call this to the utmost attention of the police, and does not use irony. Perhaps, in this way, the master may sing, as if his internal fire did not appear stronger than mentality and traditions.

Having achieved awareness of the mercy of his loss of glory, Ivan changes his personality. Vine reveals the depth of creativity and spirituality. He was not destined to become a poet, but the author subtly captured the very essence of creativity and the subtle spiritual light. Vidmova from the Masolitovsky ticket predicts poverty to pennies Levia Matthew - the teachings of Yeshua’s friend.

Creativity is master

Most importantly, in the novel “The Master and Margarita,” the problem of creativity is revealed in the context of the Master. You can’t be called a writer, he’s truly a master. For anyone, creativity is not a way of self-assertion for someone else’s love, as with Berlioz, and it is not the ability to lead a bohemian way of life, as for Ponirov-the heartless one from the beginning. It’s not for nothing, the chapter in which the master appears, is called “The Appearance of a Hero.” He is truly a true hero and creator. Maister doesn’t write a novel, but he still lives in such a way that the introduction of a novel and huge statistics hurt him in the very heart, and images and bitterness materialize in “an octopus with very long and cold tentacles,” which begins to hurt him all the time. di, “as soon as the light went out” . Maister writes a novel and lives with it. When Margarita appears, creativity and creativity are woven into one ball. Vony goes to the order, for Margarita, love for the master is expanding and his novel, which further confirms that the master puts his soul and heart into his story.

Margarita helps him, takes over his creativity to the one who is the master. Once the novel is over, for the couple “these are sad days,” the place is devastated and ruined. Alas, her love does not fade away and never ceases to exist.

Visnovki

Mikhailo Bulgakov masterfully explores the theme of creativity in the novel. He shows three people at a glance. For Berlioz, Massolit is simply a way of self-expression and satisfaction with one’s mundane life. As long as such an editor is in charge of the magazine, there is no place for other artists. The writer knows what he is writing. You have had the opportunity to deal with such would-be editors more than once. This great novel will also be very insightful and will see people who are trying to maintain control over the organization, which is essentially a way of satisfying the interests of power, rather than serving creativity.

Ivan Bezdomny approaches his gift with reverence, he dreams about the laurels of the poet, but gets lost in the intricacies of the real and the false, exchanging his talent for “singing on the promise” and, in hindsight, he realizes that the tops This is “greedy” and we won’t write about it anymore .

At the master's level, the problem of creativity is reaching its apogee. You don’t write to someone who wants to become an author, you write to someone who can’t help but write. The novel is alive to its own lives, and that energy puts all its strength into the new master. He doesn’t remember his own name, nor the name of his many friends, but he knows how to remember the skin of the novel. In the bedroom, this story continues to live its lives, until Woland does not resurrect from the beginning, as if the novel “The Meister and Margarita” itself had risen from the beginning.

Creation test

Meister is the unnamed hero of the novel “The Meister and Margarita,” a Muscovite, a great historian, who wrote a novel about Pontius Pilate and the remaining days of the life of Yeshua Ha-Nosri, the ruler of Margarita. The master was a highly enlightened person, as he knows a lot of foreign languages. If you were lucky enough to win a big sum in the lottery, you decided to quit everything and take up your favorite hobby. Then he wrote his historical novel, in which he poured his soul. In the process, the brothers took charge of their entire life, and a wife named Margarita became his faithful companion and assistant.

In the literary circles, Maistra's novel was considered to be different, although it was clear from the manuscript that it had been read a lot of times, and a few of them were greatly appreciated. The tragedy of this character lay in the fact that he was trying to recognize the identity of cowards and hypocrites. If, however, the novel was criticized, criticism began to pour in, and a persecution began against Maistra. One of his acquaintances, Aloysius Mogarich, wrote a criminal denunciation against him in order to get him an apartment. As a result, the hero was spared an apartment, a pittance and a real life. Believing that everything was dashing about the novel, he burned it in the oven. And after a nervous attack, he himself went to a clinic for mental illness.

Maistra's book really grabbed Woland's attention. Same year helped Margarita to pull him out of the clinic, turning the manuscripts into the bedroom and giving the couple the deserved peace. In Moscow, their bodies died, but in reality the stench was transferred to another reality, where the master can write with a goose pen. Woland wanted to take them away from him, because he had no place among greedy, fearful and worthless people. The image of the master has a lot of autobiographical characteristics. So for example,

On the sidelines of the novel “The Meister and Margarita,” the author shows the moral aspects of marriage in the present era and in the distant past. People have always focused on “what is truth” and “what are the moral criteria.” Great thinkers and philosophers did not come up with a clear answer, but Mikhailo Bulgakov tried to solve this problem in his work.

The main characters of the novel

The author introduces two storylines: the events take place in Moscow in the 1930s and in Yershala two thousand years ago. The book has a central point: you write a novel about Pontius Pilate, burn him, and then end up in a psychiatric hospital. Later the author of an anti-religious story about Jesus Christ is placed there. Another sings to the doctors that Woland, Satan himself, has appeared in Moscow, and you can’t believe the stink and make a diagnosis. Margarita checks on the master, as for the sake of his order she signs a contract with dark forces. Woland presents her as a queen at the ball, which is what the woman is good for.

In Yershala, the Jewish procurator submits to the will of Caesar, suffering the innocent Yeshua Ha-Nozri. Over the years, the hegemon has suffered for his family and suffered for a long time. In the remaining sections of the novel “The Maister and Margarita,” the image of the Maister plays an important role in the role of Pontius Pilate: he releases him, and he himself regains happiness with his wife.

The Russian capital is visited by the black magician Woland with the cat Behemoth, the demon Azazello, the elder Koroviy and the witch Gella. The fatal lantzug begins with Woland talking with Mikhail Berlioz and Ivan Bezdomny, as if they were to purely feel the birth of Jesus Christ. Satan conveys death to Berlioz - he crosses the tram, and in the evening this terrible event appears. Woland settles down at his apartment and begins to prepare for the dark ball, and before it there is a dark magic session for Muscovites. Margarita signs a contract with Satan and becomes the queen of cleanliness.

In Yershala, for the order of Caesar, they follow Yeshua Ha-Nozri, and only the Jewish procurator can follow. The fear of guilt is not to be afraid, for which you will suffer eternal torment: for many thousands of months, you will sit with the dog Banga and talk about your affairs, and only the Master will judge you in This is the beginning of the novel.

The book has a problem

For hundreds of years, people have struggled with morality and morality. The image of Margarita in the novel “The Meister and Margarita” demonstrates a different type of action. She is ready to give up everything for the sake of truth and love.

Often people take away their benefits through deception, hypocrisy, violence, evil, nonsense, and then, being afraid to waste them, go back to the plot again. Pontius Pilate did not want to sacrifice his place and status, for which he would be condemned to eternal torment.

Mikhailo Bulgakov presents positive and negative images to the novel “The Master and Margarita”, to show that without a moral sense a person cannot be happy. There are no people in the world without sins, but those who, having repented, can absolve themselves of their wrongdoing. For Pontius Pilate, his forgiveness was due to freedom, having bestowed upon him the Maister.

Image of Yeshua

The Maister and Margarita are the positive heroes of the novel, who resemble the prototype of Jesus Christ. In the Yershalaim chapters, Bulgakov presents the image of the hegemon with the same marriage of the preacher Ha-Nosri. Yeshua is encouraged to hear the truth, for which he will be condemned to death. At the same time, the inhabitants of Rome believed that the hour would come if there were no greedy rule and violence. Isn’t it wrong to say that in these words there is warehouse evil, for how to save life?

Yeshua is nice to Pontius Pilate, but he wants to betray him, but he is afraid of risking his peaceful life. He is faced with a dilemma: should he strafe or should he go against his conscience? Should he have mercy or should he waste his power? The hegemon chooses first: he only looks as formidable as a lion; In truth, no one has a fearful, fearful hare’s heart.

Image of Pontius Pilate

A share of the inhabitants of Rome is in the hands of the Jewish procurator. One historical passage says that Pilate bears responsibility for unhealed punishment, executed without trial. Such cruelty was manifested through the fear of losing one’s status. Those close to you follow a similar procedure. On the pages of the Yershalaim chapters, Mikhail Bulgakov miraculously demonstrates this typical characteristic of images.

"The Meister and Margarita" is a novel of deep philosophical significance. The author proves that the most terrible dashing person can become a righteous person. Pontius Pilate acknowledges his greedy mercy: such an honest person as Yeshua is not guilty of wasting life. The hegemon comes to the forefront about fear: “This is the worst thing.” The author introduces the image of Maistra and Margarita to show that not all people are so fearful - many are not afraid of punishment and go to extreme lengths in their morality. For his pardon, the procurator sentenced him to immortality, and that would probably result in more punishment.

Maister ta Margarita: image of the Maister

The author does not give the name of the main character of his novel; Radian Russia had plenty of such examples. The writers of this era can be compared to living mummies: they write only those who listen to the public, and do not pretend to have original ideas. The novel about Pontius Pilate is believed to be due to the fact that in anti-religious Russia this topic has lost its relevance. The great idea for which the Master, sacrificing his goodness, is deprived of light, and the author burns his child in the process.

Woland is about to write his novel and says: “Don’t burn the manuscript!” In the book "The Maister and Margarita" the image of the Maister echoes the life of Mikhail Bulgakov himself. The young writer burned the blackboard of his novel on Christian themes, earning no recognition from critics throughout his life, and barely a decade later he began to make his mark among the public.

Image of Margariti

It is moral for people to work hard for the sake of their family and loved ones, without fear of death. Humanity knows wives who are respectful of their men behind their affairs. This was the main heroine. The image of Margarita in the novel “Mister and Margarita” is different from others: she is young, beautiful, she was the retinue of even the great Fachian, and she enjoyed luxury. Vona did not know happiness until her meeting with Maistrom.

In her family, Margarita is willing to sprout from Satan himself. Woland appears in Moscow to test the main characters of the novel, reward them for their loyalty and love, and punish liars and citizens. He has visited Moscow more than once, and during his time a lot has changed: architecture, clothing, lifestyle, but not just the people themselves. In the novel "The Meister and Margarita" the images of the Muscovite heroes are presented as greedy and cruel. It’s not surprising that Woland chooses Margarita as the queen of his dark ball - honestly a woman with a great heart to love. For all the positive qualities of Margarita, she is rewarded - she will again connect with Maistrom. For the sake of the wife, the woman is ready to undergo the most important tests, having experienced how she will experience her happiness.

Dark honor

In the novel "The Meister and Margarita" the image of Woland is distant from the real Satan, about whom terrible legends have developed over the course of many fates. She looks like a person who, according to her conscience, chooses her clothes. Woland united Margarita with her khan Maistre, punished the immoral Muscovites, showed how to free Pontius Pilate, and finally quietly disappeared. Almighty Satan has the worst of human viciousness, which cannot be said about the Jewish procurator. The author presents Woland and the hegemon with the image of Maistra and Margarita: the road to heaven is closed to them, but the stench itself in the novel is honest, honest, and the smut - the stench has lost its allegiance to one another, having gone through impersonal moral trials.

Bulgakov’s novel “The Maister and Margarita” has a number of overlapping themes. One of them is the theme of the devil, from whom, in power, the novel begins.
More from the epigraph:

“... then who are you, who are you?
- I am part of this force,
what do you always want
evil and always destroy good.
Goethe. Faust

There appears to be an intrigue to the novel, which brings us into the world of three extinctions: the past, the present and the present one. This plot line intertwines with the shares of many heroes in the novel. Let's take a look at the literary elite of Moscow. From this very place one can see the main characters: Master and his future scientist Ivan Bezdomny. Maistra's share largely repeats Bulgakov's share. I wanted to start writing my novel in 1928, but the main creative period began after my friendship with Olena Sergievna Shilovskaya. In Olenya you can immediately note Margarita - the main heroine of the novel, like a muse, who appeared before the Master and hid the novel being written. Everything, as in Bulgakov, the light of the “head book” of Maistra appeared - a story in which he was able to invest his soul and heart. This novel “The Master and Margarita” became Bulgakov’s main book, which he wrote for 12 years! From 1928 to 1940 r_k. Moreover, the life of this Head Book was not as smooth as it appears. The minds in which it was created were, by no means, prosperous, but, behind the words of the rich, it became important that the artist’s value lies not in the struggle for a share and prosperity, but in creativity! Well, Bulgakov did it absolutely correctly, when he created, corrected and rewrote the novel in order to achieve the best result and serve his principle:
“Add it before, don’t die...”

So Bulgakov did not fight for his novel, but simply created nobly and brought it into life.

Let us turn to Bulgakov for his novel and look at the literary culture of Moscow, described by Bulgakov. First, with the numerous representatives of this partnership, in the “Griboyedov’s Budinka”, where meetings were held for its head warehouse, most importantly food, which is not necessary for creativity and mystique. The activity of this management body was to ask for a dacha for the rest, a ticket to Yalta, and as Woland had agreed to: “... they were asking for apartment meals...”. When the ball begins for any “league” of writers, then more and more there will be a “hell” in which everything boils and rages empty and empty. Bulgakov never shows us the strength of work and creativity, they can no longer fight for a place or pennies. And for all these sins, and most of all for the lack of faith, Berlioz will pay, who, standing on some partnership, had his head cut in by a tram! You may be thinking that this is cruel, but no. For such sins it was possible to punish even more greedily, and even though the writers not only didn’t do anything, they also crossed the line of the right people and beat up the right young literary figures. We believe that the marriage is truly greedy and rotten, as the “light at the end of the tunnel” was not enough for the uninformed faiths of the population, but it simply did not work and stuffed itself.

But here we see another positive character, who was not able to join MASSOLIT, becoming a Meister. We learn about all of his life from his powerful testimony and, as has already been written, we compare him with Bulgakov, but the writer truly fell on his high point. We cannot simply, having believed the critical robots, take the Master to the face of the creators and rely on this, we must be more surprised and then, as we can remember, we can find even more similarities, besides the lot of life. Such similarities will be: the similarity of names - beginning with the letter “M”, the smell of resentment thrown up by the marriage, and also the characteristic of rice - which is represented by Woland. It can be helpful if we write Woland in English, then “Woland”. The very first letter “double ve” is represented by the inverted letter M = W, like the reverse side of a coin!

Comparing Mikhail Bulgakova and Maistra, one can also look at such a fact as the continuation of their references and their scientists. From Bulgakov's novel we learn that a scientist appeared in the Master: he became Ivan Bezdomny and then a student at the Institute of Philosophy, Professor Ivan Mikolayovich Ponirev. When Maistrom was hired by a real person, who had found her place in marriage, in a psychiatric hospital, they decided at once for the same reason, because everyone who has no place in marriage appears there There is no lie and deception. Ivan Mikolayovich took over from the Master those basic principles of life, which he had never seen before and which wicked writers could not give him! Are you going wild all the way to Mikhail Bulgakov, who studied with him? Concentrating on my scanty information from his biography, I can only say that those who were not aware of their marriage and could not meet such a person who became the founder of his literary ity. Then Bulgakov infused his hero with these same rices, as he would have wanted to do himself, but could not have done so himself.

But we also don’t need to forget about the fact that the work of the Ministry of Defense creates victims and cannot go unnoticed. The main ideas of Bulgakov, as a classic, were inspired by the novel “The Master and Margarita”, and even the earlier “Notes on Cuffs”, as Bulgakov wrote in 1921, and a few ideas: “... rapt, with supernatural miraculous clarity, clarity iv, what are they talking about? , what they said: what is written cannot be changed! Tear it up, burn it. Kind of attract people. Ale to yourself - no! ...”, and then the thought “don’t burn the manuscripts!” came into my head. So we can talk about those that the creators of great mystic creations never forget their creations, so to speak: the stinks remember their memories. Just as Mayakovsky remembered his work, just as Meister saved the entire novel from his memory, so Bulgakov wrote his master book and remembered it to the last detail. This is how the true creativity of writers seems to us, and from the memory of the five-year-old procurator of Judea, the leader of Pontius Pilate.