Theater Studio Kolo II.

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What is the idea in our life and what is the place to bring success to people with disabilities?

When and where:

On the 5th and 14th of the Integration Theater-Studio “Kolo II” will show the premiere of the street play “Don’t Talk” at the Zodchi Cultural Center at the address: Partizanska Street, Budinok 23

Authors:

Director: Andriy Afonin and Andriy Klimak.

Artist: Olena Osipova, Andriy Klimak

Musical design: Olena Osipova and participants of Kolo II

Choreography: Natalia Nemchinova Performers: Neonila Aksionova, Anastasia Bogdanova, Stanislav Bolshakov, Yulia Botvinko, Yevgen Goverdovsky, Grigory Goltyaev, Elizaveta Gorokhova, Andriy Grekov, Andriy Denikaev, Oleksandr Dovgan, Pavlo Zhurav Ikhin, Maxim Ivanov, Georgy Kanigin, Marina Krakhina, Kirilo Letunovsky, Danilo Ludwig, Illya Medvedkin, Natalia Nemchinova, Olena Osipova, Nadiya Osipova, Artem Panin, Mikita Svistunov, Velis Selionchik, Evgeniya Skokova, Illya Sokolenko, Oleksiy Stankovsky, Katerina Yanenkova. Integration theater-studio “Kolo II” is Russia’s only professional “special theater”, winner of the National Theater Award “Golden Mask” 2014 in the “Experiment” category.

A unique theatrical premiere.

The theater-studio "Kolo 2" - laureate of the "Golden Mask" 2014 - has a new play - "Christopher and Father".

More than the fears there was irrationality.

The vacuum is not just squeezed, but exhausted.

Those who came to the theater studio "Kolo 2" - for such special actors themselves - are called by the director and director Andriy Afonin nothing less than "wonder".

He remembers well: just a few mutterings of loud voices seemed to be troublesome at first glance.

Ale is less at first glance.

All my thoughts read a strange, paradoxical biography of Lesha, revealed in the name of the boy Christopher.

These are the guesses of Andriy Afonin, having learned the plot and setting up the story 5 more times.

How great and friendly this family is now.

A graduate of the Moscow Art Theater School, Oleksiy Zhirov, one of the three professional actors employed by the production, has accepted the director’s request to take part in the production without hesitation.

Priyshov, so that the actors of this particular corpse learn the stage mastery, and begin to solve the problem with them himself.

"Their world of generosity is not the same as that of the primary actor, and it is necessary to show the right kind of generosity throughout life, as well as sense of truth “Don’t waste your money,” like actor Oleksiy Zhirov.

This is a lesson in the breadth of flights in one breath. And during the scenes, in the dialogues and between the rows, a thought sounded. Our emphasis on “not like everyone else” means how much we are as people.

Integration of the theater-studio “Kolo II”, whose actors are people with developmental peculiarities, at the end of the holiday season.

I am already very fond of the creativity of “Kola II”, and my favorite performances are the musical trilogy “For...”: “Behind the Light”, “Behind the Rhythm” and “Behind the Sound”. Unknown theatergoers, who originated from tradition, feed on this. I don't know. How to explain the shamanic ritual and infusion of hypnosis?

The axis of the actors is based on the ancient Serbian, Greek, Jewish, Indian songs, and all the while the voices of our ancestors are making their way to us, and the watchers are hearing, perhaps dying.

And the axis sounds like an African coli, and everyone, without hesitation, joins hands and rhythmically walks in a round dance.

At the most extreme curse dances, hot blues are played here, and Stanislav, an actor who doesn’t hear anything, raps.

Don't be tempted to shift it zvichna language– this is a sound mosaic with a clear intonation, similar to the “roman” characters of foreign cartoons. Photo by Sergiy Mukhin“Everything that lies under your feet can become music,” asserts another music activist Olena Osipova.

– I’m doing improvisation with the boys: we’re collecting fireplaces, wood, dishes and hearing what comes out of it. The sound of a non-traditional rhythm flows from the theater camp, where we practice every day..

The basis of the foundations is a rehabilitation approach: artifacts from paper, sand, cardboard, fabric... Sometimes they decorate the walls, and sometimes they grow even more - for example, a five-length cartoon.

And the axle is a majestic casing with hardboard, donated by the artist-modeler Andriy Bartenev, here a bright purple color and “cotton” character emerged.

This was a collective project - the whole group sculpted and painted for her to decorate with papa-mache.

Vistava “Sufi motives”.

Kolo II

The direct approach is the creation of scenery and costumes before the performances.

Either way, the show begins to take shape, and sometimes it grows with some side ideas: for example, the child show “Ravlik and Kit” was accompanied by a collection of clothes and a theatrical fashion show. The entire collection has been sold out.

The creation of textiles is in the plans of the masters of “Cola II” and in general can grow into a wide range of robots.

– Until now, we were based at the center of children’s creativity “Strogino”, and we also had a chance to leave because our grown-up actors “did not fit into the format.” There the minimum payment per year for a skin small is no less than 300 rubles. Grown-up boys are employed 5 days per day for 5 years, or even more, so the actual employment situation in them is approximately 100-120 years. And if you multiply by 300, you get a tidy sum - 30 plus thousand. We realized that we will spend all our actors, including our homelands, with low incomes and simply cannot pay as much.

So from the system

additional education we went to the system of deposits of culture, but there is even more low rates

, and again, in order to survive, you need to greatly increase the number of years or increase the number of participants in groups, reducing the number of years per week.

This is also not suitable for our borrowing system.

– Why can’t the prices for tickets for your performances cover the rent?

There is a need for more income. – We are receiving grants to the Committee of Community Connections of the City of Moscow, a presidential grant. VOI helps us in organizing

“Of course, but we’ll still have to wait for the father’s day.”

If they understand how this works, then it is possible to deal with this whole thing.

And then we think about how to find a place in our society and will soon create a new important actor, in a place in our society.

All different people have the same level of development and ability.

And food for him, how to awaken him, with his peculiarities, in the dark outline of the day. Golovne, so that it shines from the artistic point of view, because everything that we care about is mysticism. Axis, for example, Stas - he doesn’t understand, but what kind of character actor, what kind of bright heroes he plays.

“We don’t know the size of the dashing man, but he’s getting bigger.”

Today we cannot tell you the government statistics - how many people with mental disorders sit at home and have nothing to do.

No one cares about them, but it is possible to work in such a way that the stinks bring value to the marriage, to invest money in the support system and support system, and not just give them help and travel.

Or is it possible to waste the great resources of creating inclusive schools, so that after graduation, people will have to go to PNI?

Tse bezgluzda vitrata koshtiv. – You organized a school for theater kernels on the basis of “Kola II” with the participation of “special” people. What kind of treasure is this? – People come to us from various nearby and distant places, who really want to open their theatrical project, lest they figure out where to go. We want to give specialists an approach to work with these guys, carefully develop criteria for activity.

It is necessary to unify knowledge so that more professionals appear in this field.

The method of recruiting is not so important, although we are talking about our teachings about those that we ourselves know - about the body, about rhythm, about working with emotions.

Ale spolna meta – tse zadelenya izvestnosti idiosyncrasies to creativeness. We take our part from the created association of inclusive mysteries. the theatrical mystique of people with disabilities that is emerging at this hour in Russia and beyond the cordon.

The festival collects and analyzes information about numerous specific theaters in Russia, regardless of the nature of their disability, level of professionalism, or genres of theater.

The participants of the festival are theatrical groups, in which people take part with almost all types of functional impairments: impaired vision, impaired hearing, such as intellectual disability, impaired musculoskeletal system, in the emotional sphere, from somatic, genetic and mental illnesses , as well as their healthy yearlings, who are looking for a new sense of life.

The meta of the festival is to create a Maidan for the creative re-interpretation of reality and the active creation of the future.

We will strive to unite the health and strength of marriage regardless of national, political, religious and any other device for the creative rethinking of activity.